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Irish Concertina:
A Tutor for the Anglo Concertina in the Irish Style
by Mick Bramich
- For 30 button Anglo concertinas
- 76 pages
- 56 tunes in standard notation, chord symbols
- fingering & chord charts
- scales & exercises
- bibliography, discography, photos galore
- high quality paper, easy to read notation, numbered bars
After the obligatory section of introductions, choosing an
instrument, keyboard layouts, and history blurb, the book is
arranged in lessons, each having a number of tunes for practice,
beginning with the key of G and tips on air control. Then other
scales, more keys, a lesson on modulation, more keys, a section
on decoration and slow airs, then the appendices, including a
tune section, with the key of each tune plainly indicated (E
minor, D modal, etc), as well as indications where the A part
and B part begin.
There are lots of useful notes sprinkled throughout the lessons,
about Irish music in general, playing styles, the influence of
other instruments, players, etc.
Here's a review written to the
Squeezebox Newsgroup about this book:
"About a month ago I bought a very new book by Mick Bramich
called "The Irish Concertina" (about $25) along with
a tape of the tunes from the book (about $12). This is also an
excellent book (for people interested in playing in the Irish
style), but I'm very glad I worked through the Bertram Levy book
first, as the Bramich book isn't very detailed in the instruction
department and it jumps right in on tunes that could frustrate
a rank beginner. But this is still a great book, as it has a
fantastic variety and quantity of tunes, and the tape is highly
recommended as it has many of the songs from the book on it (33
songs!) played beautifully by Bramich and a guitarist.
Even if you don't want the book, I would recommend buying
just the tape if you're an Irish concertina music fan. The recording
is very nice too - very live and "in your face" - you
can even hear the buttons and action a bit - all in all, a very
pleasant recording. Not too much fake reverb and effects like
on many recordings (that drives me crazy - always trying too
hard to sound 'lush' and 'smooth')." -- Paul Schwartz
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